|Ajara, Kodo. Photo: Takashi Okamoto|
There’s much to love about Kodo: the ritualistic precision, the subterranean sounds, the tensed, muscular bodies poised with impossible control. But beneath the surface of those displays lies an entire lifestyle devoted to a holistic folk ethos of which drumming is an integral part. Before a performer can officially join the group (which comes to the BAM Howard Gilman Opera House March 1—4), they must be vetted through an intensive, two-year-long apprenticeship on Sado Island. As touched on in our interview with former Kodo member Kaoru Watanabe, the daily routine of an apprentice involves drumming, dancing, singing, tea ceremony, woodworking, growing rice, and more...
Communal LivingApprentices live together in a village on Sado Island, a secluded time capsule of preindustrial times located in the Japan Sea.
|Temple buildings on Sado island. Photo: Tony McNicol|
They begin their day at 5am with a brisk 10-kilometer jog to develop leg strength and endurance for
During the apprenticeship, much of the vegetables, rice, and other food are grown communally on the
premises, asserting a connection to place. The physical labor of the harvest is said to resonate spiritually with the motion of drumming.
Apprentices take part in traditional Japanese tea ceremonies in order to perfect an economy of movement.
|Color, Kodo. Photo: Takashi Okamoto|
Eating and other activities are mostly done from the traditional, and sometimes painful, seiza sitting position, intended to reconnect Kodo members with the rituals of their ancestors.
Kodo members and apprentices make their own drumsticks and chopsticks and always hold the latter in the left hand to develop dexterity.
Dadan plays the BAM Howard Gilman Opera House from March 1—4, and tickets are still available.
Republished from a 2015 article highlighting Kodo's One Earth Tour: Mystery.